Tôken Bijutsu Articles The number of pages refers to the netto number of pages for a possible translation, i.e. just multiply this number with the price of one page and you arrive at what a translation of a certain article would be. Article Issue Pages A blade by Egawa Tarôzaemon Hidetatsu (江川太郎左衛門英龍) 695 3 A blade by Hokke Saburô Nobutsugu (法華三郎信次) made of meteorite steel 481 9 A blade by Suzuki Sôei (鈴木宗栄) mentioning his name change to U (右) in the mei 676 4 A blade made from beitetsu 471 2 A doll with a Kunishige (国重) tantô 430 3 A find of oshigata and other references on Sendai Kanetsugu (兼次) blades signed with the prefix “Enju” 628 7 A gassaku by father and son Uda Nyûdô Yûgen (宇多入道勇源) and Kunimune (国宗) 681 2 A Kunimasa (国正) with naga-mei and date signature that seems to be a Horikawa-mono 637 3 A late work of the 11th generation Aizu-Kanesada (兼定) 623 2 A meitô hosting the spirit of Gô Yoshihiro (江義弘) 628 3 A Munemitsu (宗光) blade dated Bunmei 14 (1482) 496 2 A prayer scroll by Iga no Kami Kinmichi (伊賀守金道) 673 1 494 3 A Shimada Yoshisuke (島田義助) blade and the fate of the warrior Nawamuri no Suke 428 2 A signed tachi of Kuniyuki (国行) with the shumei “Ninnaji Bettô”( 仁和寺別当) 455 8 A survey on date signatures #1 490 10 A survey on date signatures #2 491 7 A sword by Jirô Tarô Naokatsu (直勝) with a kiritsuke-mei by Yamon Naoaki (弥門直諒) 689 2 A sword by Yasui Senchi Toshimasa (安井仙知俊正) showing the name of the client in the mei 629 2 A sword of Miura Gonbei Kunimitsu (三浦権平国光) and its sayagaki 659 5 A swords offered to the Shônen-jinja (昭南神社) 468 2 A tantô dated Meiô nine (1500) that bears the early mei of No-Sada 679 2 A tantô of Mito Norikatsu (徳勝) with a koku’in 548 12 A tsuba by the Tanaka Kiyotoshi student Takamoto Hidemune (高本秀宗) 532 1 A wakizashi by Òsaka Tanba no Kami Yoshimichi (丹波守吉道) that mentions the Ikutama manor (生玉庄) 496 2 A yari made by Tashiro Hidetarô Nagatoshi (田代秀太郎長俊) 515 3 A yari with the niji-mei of Sendai Sadaie (定家) 620 4 Additional thoughts on Sue-kotô with shoji-mei (names of owners inscribed on tang) 447 6 Additional thoughts on Takamitsu (貴光) blades made in Ôhara in Mimasaka province 431 2 Aesthetics of the Japanese Sword #1 673 13 Aesthetics of the Japanese Sword #2 690 13 Aizu Kanesada (会津兼定) and Echigo’s Kamo 694 5 Akabane-tô symposium 467 7 A precious date signature of the 4th generation Kyô Tanba no Kami Yoshimichi (丹波守吉道) as production site Akamatsu Masahide and swords by Kiyomitsu (清光) made in Tatsuno (竜野) #1 372 4 Amada Akitsugu and Ôsumi Toshihira becoming ningen-kokuhô 485 2 An advertisement published by Matsunaga Ryûminsai Kaneyuki (兼行) 633 2 An analysis of reference documents concerning honorary titles of swordsmiths 566 9 An old issue of the Mei Zukushi 472 5 Analysing the cut surface of a nakagojiri 678 6 Blades by Inaba swordsmiths 488 6 Blades by the rikugun-jumei swordsmith Miura Kunimitsu (三浦国光) 647 9 Blades by the Sendai swordsmith Minamoto Kunihide/Kuniteru (国英) 654 4 Blades made by Aizu Kanesada (兼定) at the Kannon-ji and the cavalier Kannonji Kyûzaemon 501 11 Blades of Katsumitsu (勝光) and Munemitsu (宗光) from the Bunmei era (1469-1487) – Research on their 458 7 Blades of Sumi Motooki (角元興) with setsudan-mei 661 6 Bushû-Shitahara studies #1 –The origins of the Bushû-Shitahara smiths and their founder Chikashige (周重) 524 11 Bushû-Shitahara studies #2 – The Yasushige (康重) main line 560 10 Bushû-Shitahara studies #3 – The Terushige (照重) line 675 9 Bushû-Shitahara studies #4 – The Hiroshige (広重) main line and the Munekuni (宗国) line 677 11 Bushû-Shitahara studies #5 – The Masashige (正重) line 681 9 Characteristics and rules of kinzôgan setsudan-mei – With a focus on the Yamano family 669 16 Comparative studies of the Arami Mei Zukushi and the Arami Mei Zukushi Kôshû 466 18 Comparison of jigane from different domestic satetsu sources 664 3 Considerations on Bizen Saburô Kunimune (備前三郎国宗) going to Kyôto and Kamakura 452 4 Considerations on the aesthetics of the Japanese Sword 430 3 Dewa no Daijô Kunimichi (出羽大掾国路) and Etchû no Kami Masatoshi (越中守正俊) 559 2 Discovery of a rare gassaki of Hisatoshi (久利), Tsunatoshi (綱俊), and Korekazu (是一) 692 1 Edo-period and Meiji-era depictions of oni on sword fittings – With a focus on hamamono 478 8 Etyomological considerations on Koma-tsurugi and the Ama no Murakumo no tsurugi 531 3 Examining and comparing the Ôseki Shô and the Genki Gannen Token Mekiki Sho 537 6 Experimenting with satetsu from Kamakura Bay 637 4 Experimenting with yakibatsuchi 518 5 From the forge of the ningen-kokuhô Takahashi Sadatsugu (高橋貞次) 552 11 From the origins to the present-day status of so-called Akabane-tô 467 5 Gotô School Studies #12 196 3 Gunsui-tô and Kiribuchi Kanemune (桐渕兼宗) 628 1 He history and meaning of menuki 656 8 Historical circumstances of the birth of the nihontô – From the chokutô to the wantô 587 8 Hizen-tô #16 – Views on shôshin and gimei 431 5 Hizen-tô #19 – Masahiro (正広) 445 6 Hizen-tô #20 – Masahiro #2 (正広) 449 8 Hizen-tô #21 – Signature changes over time (1st generation Tadayoshi, 忠吉) 451 6 Hizen-tô #22 – Signature changes over time (2nd generation Tadahiro, 忠広) 458 9 461 10 temporary workplace in Kagoshima Hizen-tô #23 – Signature changes over time (2nd generation Tadahiro, 忠広) Hizen-tô #24 – Jishin-mei of the 2nd gen. Tadahiro (忠広) and daimei of the 3rd generation 468 10 Hizen-tô #24 – Rules and exceptions 464 12 476 13 480 10 488 9 Hizen-tô #29 – Hirosada (広貞) main and side line 492 13 Hizen-tô #30 – Outline of the Saga fief’s history 500 21 Hizen-tô #24 – The 2nd generation Masahiro (正広) Hizen-tô #27 – Rules and peculiarities (an investigation of old theories) Hizen-tô #28 – Theories on the 3rd generation Ise no Daijô Yoshihiro (伊勢大掾吉広) Hizen-tô #31 – Remaining questions with the 8th generation Tadayoshi (忠吉) 504 10 Hizen-tô #32 – The time when the 1st generation Masahiro (正広) received his honorary title 600 11 Hizen-tô #33 – On Hizen Yoshisuke (吉助) 648 4 Hizen-tô #34 – Questions on the old traditions regarding midareba of the Tadayoshi lineage 660 10 Hizen-tô #35 – The origins of Tosa no Kami Tadayoshi (土佐守忠吉) 662 8 Hizen-tô #36 – Tadakuni (忠国) 665 14 Hizen-tô #37 – Harima no Kami Tadakuni (播磨守忠国) 668 14 Hizen-tô #38 – Dewa no Kami Yukihiro (出羽守行広) 672 15 Hizen-tô #39 – Reevaluating the fame of the 8th generation Tadayoshi (忠吉) 680 16 Hizen-tô #40 – Additional info on the 6th and 7th generations Tadayoshi (忠吉) 682 5 Hizen-tô #41 – The three great bakumatsu-era Tadayoshi (忠吉) masters 684 12 Hizen-tô #42 – The Tadayoshi (忠吉) line and the nakago finish of Hizen-tô 686 12 Hizen-tô #43 – Mizukage 692 16 Hizen-tô #44 – The situation of the Hizen smiths 696 13 How many Genbei no Jô Sukesada (源兵衛尉祐定) existed? 457 4 Inquiry on daimei of Kunisada (国貞) 564 13 Interview with the last Yasukuni smith Yasunori (靖憲) 591 2 Introducing works of Hanjô (繁昌) 506 2 Introduction of items submitted to shinsa – A blade bz Hokke Ichij&o Saneie (実家) made in Kusado 597 3 Introduction of items submitted to shinsa – A fuchigashira set by Ishiguro Kazuyoshi (石黒一美) 596 1 Introduction of items submitted to shinsa – A fuchigashira set by Takeshima Toshitaka (武嶋寿孝) 598 1 Introduction of items submitted to shinsa – A kozuka by Masaharu (政晴) 590 1 Introduction of items submitted to shinsa – A kozuka with straw snake motif by Sano Michiyoshi (佐野道好) 581 1 Introduction of items submitted to shinsa – A late work of Horie Okinari (堀江興成) 600 1 Introduction of items submitted to shinsa – A mitokoromono of Tsu Jinpo (津尋甫) 583 1 Introduction of items submitted to shinsa – A Satsuma-koshirae 546 2 Introduction of items submitted to shinsa – A tsuba by the 2nd generation Funada Ikkin (一琴) 579 1 Introduction of items submitted to shinsa – A tsuba by the 2nd generation Yamakichibei 608 1 Introduction of items submitted to shinsa – A tsuba by the mask carver Mori Joken (森如件) 586 2 Introduction of items submitted to shinsa – A tsuba of Kotetsu 552 1 Introduction of items submitted to shinsa – A wakizashi by Egawa Tarôzaemon (江川太郎左衛門) 587 3 Introduction of items submitted to shinsa – A wakizashi by the Naminohira smith Kiyosuke (清左) 589 2 Introduction of items submitted to shinsa – A wakizashi of Sukehiro with horimono by Ikkanshi Tadatsuna 591 1 Introduction of items submitted to shinsa – The Daihannya-utsushi of Miyairi Yukihira (宮入行平) 582 3 Introduction of Rare Swords and Items #23 – Inaba no Kami Kanetoki (因幡守金辰) 196 1 Introduction of Rare Swords and Items #43 – Blade of Hôki no Kami Masayoshi (伯耆守正幸) made one year 240 2 Investigating a yari of the 7th generation Sendai Kunikane (国包) 634 5 Investigating the life of Nemoto Izumi no Kami Kunitora (根本和泉守国虎) #1 591 13 Investigating the life of Nemoto Izumi no Kami Kunitora (根本和泉守国虎) #2 592 9 Investigating the life of Nemoto Izumi no Kami Kunitora (根本和泉守国虎) #3 593 9 Investigations on steel from Sakauchi (坂内) in Mino province 614 7 Investigations on th Sendai swordsmith Ôshû Tarô Munetoshi (奥州太郎宗利) 691 8 Investigations on the Kishû-Ishidô school #1 584 17 Investigations on the Kishû-Ishidô school #2 585 13 Investigations on the Kishû-Ishidô school #3 586 6 Investigations on the production site of Bitchû Ihara-jû Satô Jûsuke Kunishige #1 (国重) 474 6 Investigations on the production site of Bitchû Ihara-jû Satô Jûsuke Kunishige #2 (国重) 475 6 Investigations on the production site of Bitchû Ihara-jû Satô Jûsuke Kunishige #3 (国重) 476 5 Investigations on the production site of Bitchû Ihara-jû Satô Jûsuke Kunishige #4 (国重) 477 7 Investigations on the production site of Bitchû Ihara-jû Satô Jûsuke Kunishige #5 (国重) 478 7 Items on display on the occasion of the anniversary of the foundation of the Tôkyô branch of the NBTHK 445 16 Kamakura-era kabuto and their shinobi no o and ukebari no o 240 5 Kanchi’in Bon Mei Zukushi #4 (観智院本銘尽) 240 3 Kaneie tsuba with a Jôshû mei 491 2 Lecture on the nihontô for beginners – Kotô 668 7 Lecture on the nihontô for beginners – Shintô 668 7 Legacy of the Kurihara family 448 6 Masamune (正宗) and his students 497 16 Meiji-era sword associations 667 2 Mekugi-ana as seen in old documents 601 4 Monetary value (daitsuke) as seen in sword publications 693 11 Muromachi-era swords 646 9 Nagayama Kôkan becoming ningen-kokuhô 498 1 Naginata with the nickname “Gondô” (権藤) 692 1 Nengô on swords in accordance with the change of eras 427 5 New inquiries on the time Taikei Naotane (大慶直胤) received his honorary title 681 3 New thoughts on the Shichishi-tô – Objections 541 6 New thoughts on the Shichishi-tô – Response to the objections 543 2 New thoughts on the Shichishi-tô preserved in the Isonokami-jingû 535 5 Nihonto no Uta in Japan and China #2 457 7 Norimitsu (則光) with Ôei era (応永, 1394-1428) date signature 196 2 before his death Notes on Kôzuke swordsmiths #2 – 2nd generation Mutsu no Kami Masanori (陸奥守将応) 427 6 Notes on Kôzuke swordsmiths #3 – 3nd generation Mutsu no Kami Masanori (陸奥守将応) and successors 428 6 Notes on Kôzuke swordsmiths #4 532 4 Notes on Kôzuke swordsmiths #5 533 4 Notes on Kôzuke swordsmiths #6 659 5 Notes on Kôzuke swordsmiths #7 670 4 Notes on Mito-tô – Continuation 1 617 11 Notes on Mito-tô – Continuation 2 618 12 Notes on Mito-tô – Continuation 3 627 13 Notes on Mito-tô – Continuation 4 638 16 Notes on Mito-tô 1/2 608 19 Notes on Mito-tô 2/2 609 13 Nyûsatsu-kantei within Edo-period Satsuma fief #1 545 8 Nyûsatsu-kantei within Edo-period Satsuma fief #2 546 7 Obituary for the ningen-kokuhô Gassan Sadaichi 460 1 Ôdachi preserved in the (Uesugi-related) Keishôden (稽照殿) 573 2 Old samurai kantei as seen in the archives of the Sakae family (寒河江) 473 3 Old Sanuki smiths 645 7 Old sword publications and Kyûshû nengô 384 5 On a kondô maruzaya tachi 1 459 2 On a kondô maruzaya tachi 2 470 1 On a mei of Taiyrûsai Sôkan (宗寛) and a cutting test of Iga Norishige 684 2 On a sword of Amano Hachirô Minamoto Toshiaki (天野八郎源利明) and its provenance 525 2 On a wakizashi of Ichige Norichika (市毛徳鄰) with the suffix “kore o kintan” (謹鍛之) 590 13 On ashinaka straw sandals 621 5 On bakufu records on the duties of their officials 451 3 On cutting tests on multiple (stacked) bodies (kasane-dô) 674 6 On Edo-period sageo 695 4 On Hei’emon no Jô Takamitsu (平右衛門尉貴光) 428 6 On hi (grooves) – Mechanical considerations 459 5 On Inaba Heki Kanetsugu (因幡日置兼次) and Shinryûshi Toshishige (真竜子寿茂) 430 3 On ito-sukashi of the Mito kinkô 697 8 On Itsuowaribari (稜威尾羽張) 648 3 On Iyo-Shôami – With a focus on a newly discovered dragon fuchigashira and reference documents 612 3 On kakikudashi-mei 536 7 On Kamakura-era yakiire 671 5 On kenukigata-tachi (and nodachi and efu no tachi) 661 6 On keppan (seals with blood) 692 2 On Koyama Biyen no Suke Munetsugu (固山備前介宗次) 448 4 On Minamoto Kiyomaro’s (源清麿) stay in Hagi 654 6 On Nanbokuchô-era ôdachi 626 11 On Rokurôzaemon no Jô Sukemitsu (六郎左衛門尉祐光) 459 6 On sanbon-sugi 680 4 On Shôji Naotane’s (荘司直胤) natural son Matsusaki Naomune (松崎直宗) 561 8 On tekkotsu 522 3 On th Hon’ami family – With a focus on Kôji (光二) 635 14 On the 2nd generation Yosôzaemon no Jô Sukesada (与三左衛門尉祐定) 506 8 On the compilation of the Kinmichi (金道) genealogy 558 12 On the differentiation of Sekijôken Mototaka (赤城軒元孚) generations 694 5 On the differentiation of the Kawachi no Kami Sukesada (河内守祐定) generations 633 5 On the discovery of a temple treasure sword of Kumagai Jizaemon Kanetsugu (熊谷次左衛門兼次) 449 6 On the Edo-kinkô Seki Yoshinori (関義則) 554 11 On the first print run of the Honchô Kaji Kô 577 4 On the genealogies of the Takeya and Kiya families 518 7 On the Honchô Kokon Mei Zukushi 639 18 On the honorary titles of Mondo no Shô Masakiyo (正清) and Shume no Kami Yasuyo (安代) 676 8 On the Kaifun Ki author Koku’an (黒庵) 670 9 On the kinkô families of Nomura and Hirata working for the Tokushima fief of Awa province 544 5 On the Kuwana fief smiths Tegarayama Masashige (手柄山正繁) and Koyama Munetsugu (固山宗次) 520 4 On the ladt Buzen Kokura smith Ki no Masatsugu (紀政次) 666 8 On the master of Miyaguchi Ikkansai Shigetoshi (宮口一貫斎繁寿) 499 7 On the mei of Higo no Kami Teruhiro (肥後守輝広) 648 3 On the Mei Zukushi Hiden Shô 622 5 On the Mishina ancestor Kanemichi (兼道) 429 8 On the Muromachi-era Satsuma swordsmith Munetoshi (宗俊) 476 5 On the nagafukurin-tachi of the Kôyasan (高野山) 450 7 On the origins of Dewa no Daijô Kunimichi (出羽大掾国路) and his relation to the Mishina smiths #1 572 12 On the origins of Dewa no Daijô Kunimichi (出羽大掾国路) and his relation to the Mishina smiths #2 573 8 On the Ôshû swordsmith Tsunashige (綱重) 693 6 On the production site Miike and Miike Tenta Mitsuyo (三池典太光世) 574 5 On the Provenance of the meibutsu Ôgaki-Masamune 240 2 On the Sano Museum exhibition Nihontô – Kyô no Meishô – (Rai school) 518 1 On the Satsuma swordsmith family Nakamura (中村) and their sword order book #1 542 13 On the Satsuma swordsmith family Nakamura (中村) and their sword order book #2 543 12 On the Sendai smith Yodokawa Shigetoshi (淀川重利) (and Gassan Shigemune, 月山重宗) #1 670 10 On the Sendai smith Yodokawa Shigetoshi (淀川重利) (and Gassan Shigemune, 月山重宗) #2 685 5 On the Sendai swordsmith Tomotsune (倫常) 535 3 On the Sengoku-era smiths from Bitchû’s Matsuyama and Kakushu Castle 462 8 On the Shirakawa swordsmith Shigetsuna (重綱) 632 4 On the sketchbook Banpô Raizô (万宝来蔵) of the Awa kinkô artist Ozaki Yasuchika (尾崎保周) 531 3 On the Sôken Kishô 448 12 On the Sue-Bizen horimono-shi Matashirô 493 6 On the Sukesada (祐定) before Hikobei no Jô (彦兵衛尉) 450 4 On the sword offerings by Kôriki Takanaga (高力高長) 538 12 On the time of Koyama Munetsugu (固山宗次) as a Kuwana fief officer 540 9 On the time of Mutsu no Daijô Miyoshi Nagamichi’s (長道) receipt of his honorary title and his name change 588 6 On the use of ôdachi as seen in the Bukô Yawa (武功夜話) 568 2 On the various editions of the Arami Mei Zukushi 583 10 On yari by Koyama Bizen no Suke Munetsugu (固山備前介宗次) 522 2 Overview of the workmanship of the Enju and Samonji school 1/2 574 8 Overview of the workmanship of the Enju and Samonji school 2/2 575 6 Painting depicting the Patron Saint of swordsmiths 453 1 Present-day situation of Japanese swords in Germany and Europe (by Jesper von Sass) 372 2 Prices of kokuhô, jûyô-bunkazai, and jûyû-bijutsuhin 429 5 Proverbs and language concerning the Japanese sword 529 5 Questions on Kiyomaro’s (清麿) bukikô and the tradition of his move to Chôshû #1 594 14 Questions on Kiyomaro’s (清麿) bukikô and the tradition of his move to Chôshû #2 595 11 Questions on Kiyomaro’s (清麿) bukikô and the tradition of his move to Chôshû #3 596 18 Questions on Kiyomaro’s (清麿) bukikô and the tradition of his move to Chôshû #4 597 10 Radiochemical analysis of the origins of sword steels 662 3 Reading a signature on a katana by Kashû Iehira (家平) 671 12 Rehabilitation of the Mimasaka swordsmith Kanesaki (兼先) 507 2 Remembering the swordsmith Imaizumi Toshimitsu (今泉俊光) 469 2 Renovating temples and the culture of Japanese steel 632 7 Researching Kai-Mihara (貝三原) 507 13 Saidan or setsudan? 582 2 Sayings left by swordsmiths 659 2 Seiryûshi Kanetsugu (青龍子兼次) and Kanetsugu signing with the prefix “Enju” 520 8 Shichirô’emon no Jô Sukesada (七郎右衛門尉祐定) and his vicinity – Entering the shintô era of Sukesada 477 5 Shinkan Hiden Shô #5 (新刊秘伝抄) 196 3 Shirasaya for a jûmonji-yari 689 1 Sôma Daisaku and the swordsmiths of the Nanbu fief 650 10 Some thoughts on utsuri 470 3 Studies on a signed tantô of Bitchû Kunishige (国重) dated Eiroku 13 (1570) #1 532 8 Studies on a signed tantô of Bitchû Kunishige (国重) dated Eiroku 13 (1570) #2 533 9 Studies on a signed tantô of Bitchû Kunishige (国重) dated Eiroku 13 (1570) #3 534 10 Studies on a tantô signed “Bizen no Kuni Nagata no Shô Kunishige saku” and dated Eiroku 13 (1570) #6 384 4 Studies on Akasaka-tsuba #5 372 4 Studies on father and son Sendai Sôryûshi (雙龍子) (continuation 1) 578 5 Studies on father and son Sendai Sôryûshi (雙龍子) (continuation 2) 620 7 Studies on father and son Sendai Sôryûshi (雙龍子) (continuation 3) 631 4 Studies on father and son Sendai Sôryûshi (雙龍子) (continuation 4) 674 11 Studies on Katsumura Norikatsu (勝村徳勝) – Supplements 599 11 Studies on kotô Gassan Smiths 240 9 Studies on the kinkô Kunichika (国親) and Masachika (昌親) 589 11 Studies on the Kyôhô Shokoku Kaji Go Aratame 456 10 Studies on the meibutsu Tora-Goze (虎御前) of Takenaka Shigeharu #1 484 12 Studies on the meibutsu Tora-Goze (虎御前) of Takenaka Shigeharu #2 485 8 Studies on the Tairyûsai Sôkan student Hiroshige (寛重) 460 5 Studies on the Yagyû Seisôji Hon #2 (柳生清浄寺本) 240 5 smiths Studies on Tôryûsai Kiyotoshi #6 240 4 Sudies on the Sôshû Tsunahiro (綱広) based on old documents from the Yamamura family #1 603 2 Sudies on the Sôshû Tsunahiro (綱広) based on old documents from the Yamamura family #2 604 6 Sudies on the Sôshû Tsunahiro (綱広) based on old documents from the Yamamura family #3 605 4 Sudies on the Sôshû Tsunahiro (綱広) based on old documents from the Yamamura family #4 606 3 Sudies on the Sôshû Tsunahiro (綱広) based on old documents from the Yamamura family #5 607 3 Sue-Bizen blades that mention the ages of the smiths in the mei 473 5 Sue-Bizen blades with gassaku-mei #1 502 7 Sue-Bizen blades with gassaku-mei #2 503 7 Sue-Bizen blades with monetary values added to the mei 470 4 Sue-Bizen yari and naginata 519 10 Sukehiro’s (助広) nickname Soboro 612 1 Sword appreciation for beginners 679 5 Sword mountings and dress code – Edo-bakufu officers and their dress code 685 8 Sword production supported by the feudalistic system – On the Edo-period Chikuzen swordsmiths 467 10 Sword publications from the early Edo period 689 8 Sword studies from abroad – On kantei and polishing 619 8 Swords and sword fittings as seen in the Minamoto Sadauji Mimibukuro (源貞氏耳袋) 657 14 Swords as seen in an old Korean legend featured in the Nihon Shoki 523 4 Swords by ex-emperor Gotoba 444 7 Swords by Gamô Sukenaga (蒲生助長) and accompanying documents from the Hon’ami family 625 10 Swords excavated on Hokkaidô 460 8 Swords of the Uesugi family #1 – A tachi of Hasebe Kuninobu (長谷部国信) and its koshirae 384 3 Swords of the Uesugi family #2 615 12 Swords of the Uesugi family #3 624 9 Swords, money, and the life of Edo commoners 598 6 Tameshigiri carried out by swordsmiths – With a focus on Suishinshi Masahide (水心子正秀) 683 7 The aesthetics of the curvature of the Japanese sword 647 6 The Aridôshi no miya (蟻通宮) motif on tsuba 695 3 The beloved tsuba of Ôishi Yoshio 457 1 The blade of the jûyô-bunkazai nagafukurin-tachi-koshirae preserved in the Tsutsukowake-jinja 645 3 The changes on the Oni-shoki motif (Shoki the Demon Queller) of Mito kinkô 698 3 The circumstances on the emergence of the Fukuoka-Ichimonji school in Osafune 459 3 The Compton Collection 1 469 5 The Compton Collection 2 471 4 The Compton Collection 3 474 4 The Compton Collection 7 679 7 The Compton Collection 8 688 8 The CV of Masao (真雄), Kiyomaro (清麿), and Kanetora (兼虎) #1 642 22 The CV of Masao (真雄), Kiyomaro (清麿), and Kanetora (兼虎) #2 643 25 The CV of Masao (真雄), Kiyomaro (清麿), and Kanetora (兼虎) #3 644 17 The diary of the Awa kinkô Morikawa Yasutada (守川保忠) when travelling on Shikoku 549 5 The differences between Osafune and Mino smiths from the point of view of their honorary titles 616 8 The differentiation of Yamashiro no Kami Kunikiyo (山城守国清) generations #1 651 17 The differentiation of Yamashiro no Kami Kunikiyo (山城守国清) generations #2 652 12 The differentiation of Yamashiro no Kami Kunikiyo (山城守国清) generations #3 653 9 The early mei of Gotô Mitsutaka (後藤光孝) 539 3 The Echigo swordsmith Gotô Masakage (五嶋正蔭) 447 2 The fascination of swords from daimyô collections 592 2 The forgotten traditional craft of tsukamaki 431 4 The formalization of kantei over time 516 8 The Gotô Ke Horimono Mekiki Saikin Shô #1 (後藤家彫物目利彩金鈔) 456 2 The Gotô Ke Horimono Mekiki Saikin Shô #2 (後藤家彫物目利彩金鈔) 457 7 The Gotô Ke Horimono Mekiki Saikin Shô #3 (後藤家彫物目利彩金鈔) 458 4 The Gotô Ke Horimono Mekiki Saikin Shô #4 (後藤家彫物目利彩金鈔) 459 5 The Hachinohe fief smith Seijôsai Muneari (精状斎宗有) 505 14 The Hachinohe fief’s Ogasawara swordsmith and Okukanji Yoshihiro (奥観寺吉広) 576 12 The history of the swordsmiths of the Tsugaru Hirosaki fief #1 663 14 The history of the swordsmiths of the Tsugaru Hirosaki fief #2 664 8 The Hôrai (蓬莱) motif 514 10 The Hôrai motif as seen in Kumano 556 3 The kinkô artist Saitô Yoshihiko (斎藤芳彦) 602 6 The kinkô artists of the artists’ village Kôetsumura 1/2 562 6 The kinkô artists of the artists’ village Kôetsumura 2/2 563 5 The kondô hirumaki-tachi preserved in the Sanage-jinja 469 4 The late years of Minamoto Kiyomaro (清麿) #1 579 12 The late years of Minamoto Kiyomaro (清麿) #2 580 12 The late years of Minamoto Kiyomaro (清麿) #3 581 10 The life of Honda Masashige and his beloved Kanetsugu with the kinzôgan-mei Toya-ire 636 9 The meibutsu Tenkyûwari-Kunimune 446 11 The movie Kokuchi Senbon Yari 561 2 The mystery of the ban on the print of the Kôsei Kotô Meikan 510 8 The Nakatomi (中臣) family of the Kashima Shrine and the swordsmith Numa Tôgenji (沼間藤源次) 463 7 The Nemoto Izumi no Kami Kunitora (根本和泉守国虎) lineage and its workmanship 430 6 The Nikkari-Aoe and the Kyôgoku family 594 4 The Nikkari-Aoe and the Kyôgoku family (continuation) 652 1 508 3 482 2 The passing of ningen-kouhô Hon’ami Nisshû 476 1 The problems with replicating ancient tachi 495 9 The publication Shika Sûyô (止戈枢要) #1 683 8 The publication Shika Sûyô (止戈枢要) #2 685 5 The publication Shika Sûyô (止戈枢要) #3 687 9 The reading of the characters “Nôshû” (濃州) 613 2 The Ôshû swordsmith Morinaga (盛命) The overlong sayagaki of a mumei Naoe-Shizu that got jûyô at the 36th jûyô-shinsa The roots of the nihontô in the Ôshû swordsmiths 495 7 The Ryukyuan sword trade and Ryûkyû-tô no Uta from China 496 9 The samurai sword appraiser Utsunimoya Mikawa Nyûdô 479 6 The Sasa (佐々) family and their relation to the Japanese sword 579 2 The Sendai fief smith Banzai Kunitsugu (国次) 667 12 The Sendai swordsmith Yôzanmaru (葉山丸) 479 5 The Sendai swordsmith Yôzanmaru (葉山丸) (continuation) 623 3 The Shirakawa swordsmiths Ishidô Shigetsugu (石堂重次) 582 5 The Shirakawa-born swordsmith Koyama Munetsugu (固山宗次) 630 7 The starting point of my studies on Katsumura Norikatsu (勝村徳勝) 555 10 The sword in the visualization of buke ranks 687 11 The Sword of the Three Regalia 372 4 The sword register of the Nanbu family, the daimyô of the Hachinohe fief of Ôshû 649 17 The sword worn by Kimura Nagato no Kami Shigenari at the time of his death in battle 465 9 The swords of the Tokugawa Shitennô 601 6 The swordsmith Tachibana Enryûshi Kunihide (立花圓龍子国秀) 655 3 The swordsmiths and kinkô artists around Tokugawa Nariaki (Rekkô) 682 10 The tagane characteristics of the kiri crest applied by the Gotô school 493 2 The temporary production sites of Bizen Katsumitsu (勝光) and Munemitsu (宗光) 489 9 The Tôken Mei Zukushi from the Seikidô Library 460 3 The treasure swords of the Isonokami-jingû 517 9 The true character of the Shôchû Kotô Meikan (Unchi Meishû) 511 5 The Tsunakiri tachi (綱切り太刀) used at the vanguard of Ujigawa (and Masatsune [正恒] as listed in old 471 8 525 11 610 20 611 8 Thoughts on the Echigo-kinkô 450 2 Thoughts on the first and second generation horimono-shi Yoshinaga (吉長) 673 6 Thoughts on the Imperial Ceremony of handing-over the holy sword and the other regalia 384 1 Thoughts on the Kanemoto (兼元) blade nicknamed “Jakiri” 490 2 Thoughts on the mei of Katsumura Norikatsu #1/2 (勝村徳勝) 446 7 Thoughts on the mei of Katsumura Norikatsu #1/2 (勝村徳勝) 447 7 Thoughts on the meibutsu Jôgi (丈木) 513 15 Thoughts on the Mino-Senju’in school 452 8 Thoughts on the publication of the Sendai swordsmith genealogies #1 640 12 Thoughts on the publication of the Sendai swordsmith genealogies #2 641 11 Thoughts on the topography of Mihara 510 2 Thoughts on the workmanship of Katsumura Norikatsu #1/2 (勝村徳勝) 453 13 Thoughts on the workmanship of Katsumura Norikatsu #2/2 (勝村徳勝) 454 13 Three blades by Sukesada (祐定) 517 3 Tôsôgu Motif – Hebidoshi (巳年), Year of the Snake 240 1 sword publications) The Uesugi family sword register The year of the death of thr 1st gen. Tanba no Kami Yoshimichi and the changes in mei of the 2nd gen. 1/2 The year of the death of thr 1st gen. Tanba no Kami Yoshimichi and the changes in mei of the 2nd gen. 2/2 Tôsôgu Motif – Kochô no yume (胡蝶の夢), Dream of a Butterfly 196 1 Tôsôgu Motif – Kuginuki (釘抜き), Pincers 196 1 Tôsôgu motif of the auspicious plant omoto (万年青, Rohdea japonica) 444 4 Traces of Fujieda Tarô Teruyoshi (藤枝太郎英義) 658 12 Treasures of the Naritasan Shinshôji (成田山新勝寺) 428 5 Tsuba with sea bream (red snapper) bones motif 649 2 Two blades by Horikawa Kuninori (国徳) 608 4 Unknown facts on Toshitaka (寿隆), Masao (真雄), and Kiyomaro (清麿) #1 567 9 Unknown facts on Toshitaka (寿隆), Masao (真雄), and Kiyomaro (清麿) #2 568 11 Unknown facts on Toshitaka (寿隆), Masao (真雄), and Kiyomaro (清麿) #3 569 7 Visiting the Sano Museum exhibition Masamune – A Genius and His Lineage 543 1 Yasukuni sordsmith symposium 1 464 9 Yasukuni sordsmith symposium 2 465 8 Zaimei swords as found in the Jôzan Kidan #1 (常山紀談) 372 2
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